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Tributes in Glass:
The massive 1883 renovation of St. John's afforded ample
opportunity for donations to enhance the enlarged worship
space. In the November 1882 issue of the St. John's
Church Record, a call went out for potential memorials
"in glass, or wood, or stone." One urgent need at the time
was for windows, and the J. R. Lamb firm of New York was
chosen to provide the new glazing.
Colored glass windows, commonly referred to as "stained
glass," have been used for centuries to illuminate churches,
chapels, and cathedrals.
In the Middle Ages, the figures depicted in glowing
windows - and also in carving and statuary - were a means of
educating worshipers who commonly could not read. It is said
that the term "stained" glass comes from the practice of
layering a coat of metallic oxide onto pieces of glass of
differing hues. These were then heated till the oxides fused
with the glass and produced an array of vibrant and lasting
colors. Later on, other types of tinting processes were
used, but today, all are commonly referred to as "stained"
glass.
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In February of 1883,1. R. Lamb removed, cleaned, and reinstalled the
original chancel window into its new location in the southwest transept, an
effort endowed by W. Latimer Small. This window, with its richly colored
figure of St. John the Evangelist, became the centerpiece of three pointed
windows. In March, the Church Record states that "another memorial
window will soon be placed.... It will occupy the side lancet East of the
St.John window, on the other side of which the figure of Dorcas (Charity)
will be placed." This east side window is the figure of Isaiah, given in
memory of Henry D. Schmidt. The opposite window was provided as a memorial
to Catherine E. Schall. The woman in this window is sometimes erroneously
identified as St. Mary. But is it in fact Dorcas, as mentioned in the early
newsletter? Dorcas, also known as Tabitha, is described in the Acts of the
Apostles 9:36-43 as a believer from Joppa who was raised from the dead by
St. Peter. She was known for acts of charity, especially for sewing clothing
for the poor.
To the right of the chancel, in the Chapel of St. John the Evangelist, are
the northwest transept windows. The middle window represents the Angel of
the Resurrection, seated before the


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2011 - Episcopal Church of St. John the Baptist